{"id":363,"date":"2026-01-15T11:27:37","date_gmt":"2026-01-15T10:27:37","guid":{"rendered":"https:\/\/www.mymicrogallery.com\/web\/?p=363"},"modified":"2026-01-16T11:58:20","modified_gmt":"2026-01-16T10:58:20","slug":"enrico-cattaneo-en","status":"publish","type":"post","link":"https:\/\/www.mymicrogallery.com\/web\/en\/enrico-cattaneo-en\/","title":{"rendered":"Enrico Cattaneo"},"content":{"rendered":"<p>Enrico Cattaneo (Milano 1933 \u2013 2019), after scientific studies he approaches to photography in 1955. He attends the Milan Photographic Club where he gets recognition that make his commitment more deep into the field of social photography.<\/p>\n<p>Turned professional in 1963 shifted his interests in the art world: he photographs artist\u2019s studies and the works of painters who rely on him for the documentation of their work, but also he documents openings, meetings, events and group performance of avant-garde.<\/p>\n<p>At the same time he gives space to his own research on the landscape of abandoned factories, as still life of daily objects transformed by his vision into series by the catchy ironic names as: \u201cWarriors\u201d, \u201cMasks\u201d, \u201cTotem\u201d but also \u201cThe still life of my boots \u201cor\u201d Boxes broken.<\/p>\n<p>He made many investigations on the photographic medium and its materiality, from the \u201cPages\u201d of the seventies to the latest \u201cMorandiane\u201d, a reinterpretation of aesthetics of Giorgio Morandi, \u201cIn regress\u201d on the recovery of old images corroded by time, \u201cLandscapes\u201d, abstract images made \u200b\u200boff camera that evoke the sunrises and sunsets.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Enrico Cattaneo (Milano 1933 \u2013 2019), after scientific studies he approaches to photography in 1955. He attends the Milan Photographic Club where he gets recognition that make his commitment more deep into the field of social photography. Turned professional in 1963 shifted his interests in the art world: he photographs artist\u2019s studies and the works [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":361,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[47],"tags":[],"class_list":["post-363","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists"],"_links":{"self":[{"href":"https:\/\/www.mymicrogallery.com\/web\/wp-json\/wp\/v2\/posts\/363","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mymicrogallery.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mymicrogallery.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mymicrogallery.com\/web\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mymicrogallery.com\/web\/wp-json\/wp\/v2\/comments?post=363"}],"version-history":[{"count":1,"href":"https:\/\/www.mymicrogallery.com\/web\/wp-json\/wp\/v2\/posts\/363\/revisions"}],"predecessor-version":[{"id":364,"href":"https:\/\/www.mymicrogallery.com\/web\/wp-json\/wp\/v2\/posts\/363\/revisions\/364"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mymicrogallery.com\/web\/wp-json\/wp\/v2\/media\/361"}],"wp:attachment":[{"href":"https:\/\/www.mymicrogallery.com\/web\/wp-json\/wp\/v2\/media?parent=363"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mymicrogallery.com\/web\/wp-json\/wp\/v2\/categories?post=363"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mymicrogallery.com\/web\/wp-json\/wp\/v2\/tags?post=363"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}